艺术家: Donato Bramante
主题: 寺庙。
博物馆: Santa Maria delle Grazie (Milan, Italy)
1660年代初,van Brekelenkam变成了法院和相关主题的代表,并因此在其工作中引进了迄今为止尚未达到的名声和罚款。 大约1663年的《感化》表明,家具是适合其主题的:一只衣着的夫妇之间的礼貌交流。 这些数字的相互作用(以及主人的相关数据)在很大程度上要归功于Terborch的艺术,而后者是当代荷兰法院主题的画家。 音乐器和酒吧的出现,是经过时间考验的爱 mo,这表明年轻人对不道德的争.。 此外,还考虑在后面的隔离墙上存在一个大型的岩石景观。 这一景象,其旅行者走了一条 steep辛的道路,可能对夫妇关系的性质以及一般爱的工作作出评论。
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