艺术家: Dong Qichang
日期: 1622
尺寸: 158 x 72 cm
术: 纸张
董克昌是十七世纪早期最重要的地貌画家和理论家,从事艺术改革. 与他所认为的当代风景画的堕落,反倒了邪恶的潮流相呼应,董以文学传统为取向,通过批判地研究古代作风来寻求对过去的创造性重建. 为了恢复绘画的简单和活力,董主张与老主人公的艺术精神相通,而不要刻意地模仿,并强调了自我表达的重要性. 接近绘画时仿佛书法相去甚远,董相继取而代之地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地 流花和山地相隔的分屋以早期大师董元(930年代-60年代)所著"相去相去"为蓝本,是一部复杂的书法研究岩石和树木形态所构思的,由抽象,相相去相去相去的,能体现并被艺术家的动能所统一"的活体运动所融合而成.
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