艺术家: Dong Qichang
日期: 1632
尺寸: 102 x 30 cm
博物馆: Kimbell Art Museum (Fort Worth, United States)
术: 纸张
董克昌是中国艺术史上最受好评的人物之一,他同样以绘画,书法,绘画理论著作而出名. 在自己的作品中,董是一位创新的艺术家,他利用了传统地貌绘画的元素-------(取自)-(取自)-(取自)-(取自)-(取自(取自)-(取自)-(取自)-(取自)-(取自(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自(取自)-(取自)-(取自)-(取自)-(取自)-(取自)-(取自(取 这样一来,董独行将新生活注入了中国画中,正值明朝(1368–1644)学校衰落. 这卷卷卷是董七十八岁时所绘的最后一部相去相去的相去相去. 画作的构成及其特有风格特征,是董作人成熟,智力高超的风格所特有,突出的有尖锐的先入为主,裸露出角斑地,干山峰出人意料的空间并列. 垂直于画作中心上方取风的山地形态,以及用来定义地表的长而细的中风,都是他地貌中反复出现的元素. 对树木、房屋和前地岩石的处理比早先的画作更为简陋和干燥,可能被视为董晚年的证据。
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