艺术家: Dwight William Tryon
日期: 1894
尺寸: 52 x 92 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 木头
康涅狄格州出生 Tryon在出国学习期间受到法国巴比松画家的早期影响. 到1890年代,他的效忠已经转移到了更激进的美国侨民詹姆斯·麦克尼尔·惠斯勒(英语:James McNeill Whistler)身上——这个转变是由像这部作品这样的平庸,沉默的地貌所揭示的. Whistler将绘画与音乐的抽象语言相提并论, 正如一位时期评论家所指出, " Tryon的相片几乎,从字面上讲,是音乐效果。 他以作曲家的身份作曲自己的相片,做他的分数。” 高度装饰的相框由建筑师斯坦福·怀特(Stanford White)设计,他为他的许多艺术家朋友做了一些事. 在The Met的收藏中可以找到一些白框.
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