艺术家: Eugène Henri Paul Gauguin
尺寸: 35 x 20 cm
术: 打印
一位法国艺术家受克尤活佛艺术和罗马斯克雕塑的影响. 通过清晰的轮廓和平分的颜色,高更将内容浓厚的牵连图像与装饰相混合,并被誉为19世纪末法国象征主义和合成主义的代表性艺术家. 在后期他离开欧洲去大溪地并创作了尖锐地质疑人类存在意义的作品. 根据他在大溪地出品的油画,从1893年到1894年间,高更集中于木刻. 这个印相是一连串名为"Noa Noa"(1894年)的木刻相片之一,后被他的第四子波拉于1921年取出为"十木刻相片套装". 高更对这个主题非常感兴趣, 据高更所言,塔希提人认为活人的灵魂会从黑暗出放出磷来接活人,塔希提妇女从未入睡于黑暗. 在那里,他们认为生与死是连成一行的,比如昼夜. 由于这里的妇女身体被卷起,她也被称作“死者的胎儿精神”。 “
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
