艺术家: Francesco Trevisani
日期: 1700
博物馆: Patrick and Beatrice Haggerty Museum of Art (Milwaukee, United States)
术: 油画布上的油
常被认为是他这一代最伟大的罗马画家,弗朗切斯科·特雷维萨尼的风格在经典主义和更柔和,更多愁善感的意大利巴罗克之间有所不同. 强烈的对角画,戏剧性的照明和这幅画的情感内容都召回了巴洛克风格. 在洞穴附近展出一幅一泪一泪的弗朗西斯相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去 从圣人身后发出的光能显著地照亮他所想的十字架;而一个简单的石坛则握有由颅骨支撑的大福音. 头骨是纪念地, 方济各以他的慈善为名,在宣扬忏悔的同时,采纳了贫穷的生活. 1224年,大约在"克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克也",而在上述快克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克之克也",圣人有相克之克之克之克之克之克之克也.
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