艺术家: Gerrit (Gérard) Dou
日期: 1660
尺寸: 37 x 27 cm
博物馆: Kimbell Art Museum (Fort Worth, United States)
术: 面板上的石油
Johnnes Vermeer和Pieter de Hooch的当代人,Gerrit Dou是他的家乡Leiden的所谓fijnschilders(“精细画家”)的创始人,以其作品的微型细节和被打磨的表面而出名. 在"烛光"(Dentist by Candlelight)一书中,杜在渲染静生物体,人造光的影响和情感状态的细微差别方面表现出了他传奇的活生生的特质. 取牙器是荷兰和佛兰德艺术中从十七世纪起经常被描绘的一门学科. 杜结合了场景中熟悉的部分,包括长期受苦受难的病人和关心的旁观者,这里无疑是他的妻子. 杜的视觉智慧显而易见, 焦虑而开口的病人将眼睛向上滚去, 到1660年,杜的名声已超过所有其他荷兰画家的名声,包括他以前的老师伦勃朗特·范·里让. 1662年丹麦学者Ole Borch访问杜的工作室后,宣称画家"在荷兰乃至世界所有其他国家都不平等". “
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