艺术家: Gessen
术: 纸张
这一系列画作最初是滑门的一部分,装饰了大通寺正殿正殿,大通寺正殿的分殿之一. 今天有28个面板幸存下来,包括后来生产的面板. 这四个是最初的滑道门之一。 他们被处决时使用了由活跃于南宋王朝的中国道士和画家穆奇·法昌所启发的软而活泼的刷子. 艺术家是奥古里·索克(英语:Oguri Sokei),是奥古里·索坦之子,他曾是穆罗马奇相扑会的正式画家. 根据慕洛玛其时期(1392年-1573年)由一位昭和寺僧所写的一本名为"仁里克·尼相克"(Inryoken Nichiruku)的日记中的一则1490年的条目,滑入的门被画作于对约通活佛进行扩建活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活 恢复者在美治时期所增加的内容大大地改变了最初的构成,但系列仍然是流出门上已知最古老的墨水画. 该系列作为索凯作品的罕见基准例子也颇有价值,他名下幸存的作品很少.
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