艺术家: Giorgione (Giorgio Barbarelli Da Castelfranco)
作风: 高度复兴
术: 石油
在肖像画上,同画作的其他领域一样,贝利尼所建立的传统在16世纪前十年被乔治·克林所改变. 与15世纪大部分肖像作品的保留形式形成对比的是,乔治恩将灵魂和亲密的新品质引入了肖像. 他还通过引入与其它类型的相片相关的摩蒂夫和组成装置来扩展其表达范围,因此在某些情况下,很难决定像肖像一样的相片是否意指真实人物. 他的年轻同龄人继续探索他死后至少十年内为肖像和相关图像所打开的可能性. 这幅辉煌的肖像画的颜色由于1939年以前的过度清洗而不幸地被淡出.
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