艺术家: Giotto Di Bondone
博物馆: Convent of San Francesco (Assisi, Italy)
被雕刻出出自"克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克克 它从12世纪一季度开始被广泛用于雕塑化,特别是在法国和西班牙北部. Gislebertus在Autun Cathedral的特写是代表"最后的判决",就是一个例子. 在圣拉扎尔大教堂西出入口的大通廊上,代表"最后的判决". 它由判断基督所居的平地所支配,这里具有巨大的维度(基督的高度为305厘米). 在他右边出现了使徒,天使,天堂耶路撒冷和玛丽. 在他左边,我们看到灵魂的分量急剧增加,天使与被选中的天使一起小心地持有天平。 基督的右边是圣米迦勒, 他把升起的灵魂, 代表为马尼肯斯, 在一个巨大的尺度上, 一个小恶魔试图倾斜。 基督的左边是圣彼得,他欢迎在天堂被祝福的灵魂. 在林特尔和下方,亚当和夏娃可以在被祝福者中被认出来,还有来自耶路撒冷和圣地亚哥-迪孔波斯特拉的道士和朝圣者. 这些最后的可被各自的十字和扇贝外壳的标志所识别.
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