艺术家: Hans Memling
日期: 1480
尺寸: 77 x 55 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 油画布上的油
Memling在Rogier van der Weyden's Saint Columba Altarpiect(现为慕尼黑)的左翼上树立了这一赞美的模型,但他的创新引渡描绘了圣母被两个天使迷惑和支持,而不是下跪. 和其他十五世纪佛兰德画家在扬·范·艾克后作画一样,汉斯·梅姆林用平生的相貌语言将宗教形象隐形,密切关注自然主义细节. 尽管许多家用家具具有象征意义,但这种宣布是在一个舒适的床位进行的。 取出水来,光从中流过,花瓶百合花是圣母纯洁的象征;而空烛者则表示她作为基督的即将到来的角色,世界之光. Gabriel"的"祭司式的外衣"则暗示了弥撒的仪式,因此也暗示了基督的化身. 一个柔软发光的光落到处女身上并窒息了房间,从平凡的范畴提升了场景,并暗示了剧情的神圣性.
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