艺术家: Hasegawa Touhaku
尺寸: 367 x 165 cm
博物馆: Iwami Art Museum (Masuda, Japan)
术: 面板
出土了一出秋花和花草的场景,包括灌木花木,菊花,钟花,骨花,花生花,花生花等,被应用到金叶上以形成宽阔平原的形象. 秋草或秋平原是银幕的常见主题,但是由于这对银幕上描绘出右手银幕上的新月亮和左手的富士山,我们知道这是一幅穆萨希诺平原的相片. 在古诗中,我们听到:"木生野是一座没有山峰的地方,月亮可以落下,只是白云过草地";"木生野是一座没有山地的地方,月亮可以落下后,它会起起来并落入草地". 这种设计在茂名山时期开始流行,后在江户时期被标准化. 在这部作品中,花草很大并用活活活泼来描绘,而富士山被用大出名的墨水来描绘,整个画面被自然的丰富所溢出,表明其画作是在主题被缩小为正版模式之前的时期. 没有签名或印章来识别这位艺术家,但从风格来看,这被认为是属于长谷川学派的艺术家的作品,一种理论是该学派创始人的女婿HASEGAWA Togaku(? - 1623),HASEGAWA Tohaku(1539-1610),另一种理论是由Tohaku本人与其长子Kyuzo(1568-93)合作完成的. 长谷川学派风格相近的作品可见于由土屋活佛所创作的千沙库仁寺壁画"活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活克活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活克活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活 长谷川学校由HASEGAWA Tohaku(1539-1610年)创办,他也称自己为"第五代塞斯胡",同时UNKOKU Togan坚持他是塞斯胡的真正接班人.
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