艺术家: Henry Farrer
日期: 1879
博物馆: Reading Public Museum (Reading, Pennsylvania)
术: 蚀刻
法雷尔于1860年代从本土英格兰移民到纽约,并开始对纽约市和海景进行蚀刻. 他是最强烈地主张将蚀刻为艺术家创作工具的媒介之一,1873年出任纽约埃青俱乐部的创始人之一. 这部作品最初发表于"美国艺术评论"(1879年),是他的海洋主题将大气和光效应结合在一个板块中的一个极好的例子. 船身前方的深色,丰富的外出地底与细腻地入水和天空的活线形成鲜明对比.
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