艺术家: Irie Shikai
日期: 1931
尺寸: 143 x 35 cm
术: 纸张
这种由暗山和水组成的布局,是利用暗墨洗涤的应用来与代表水和天空的空白空间形成对比的. 山体以圆形三角形而退入相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相相去相去相去相去相去相去相相去相去相去相去相去相去相相去相去相去相相去相相去相去相去相相去相相相相相相相 zig-zag构成填充了图片平面下半部,由沿海岸线的起风道所突出,被上方铭文的垂直线所抵消. 印象是阴沉而静. 伊利·希凯属于20世纪早期一批以"新南加"为模式工作的画家,在伊利的例子中被田村奇克登等江户时期的南加艺术家所启发(1777–1835). 由于他的作品与其同代画作不同,被视作"活泼"出自"新南嘉"画家. 他的许多画作都是以暗色为特色的地貌,预示着出色;或者以墨色地貌为例,将深色墨水大量地应用到山地外形上来取出相去相去相去相去相去不远.
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