源治故事中的八点观点 – (Ishiyama Moroka) 上一页 下一页


艺术家:

尺寸: 33 x 762 cm

术: 黄金

出自"古典文学"八章""源治之道""出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自",此"出自"出自"出自"出自"出自"出自"出自"出自"出自"一出自"一出自"一出自"一出自"一出自"一出自"一出自"一出自"一出 每一部分都与来自中国著名画作主题的场景的调相融合, 十三世纪向日本介绍的"八景"图象被同化入了日本的墨水景观画传统. 在江户时期,有的艺术家将主题的一些方面融入了源治插图. 莫罗卡是一位礼遇者,同时也是一位画家和诗人;他的艺术训练来自卡诺学派的京都分会. 在这部早期的作品中,他将叙事元素限制在了每个场景的极右侧,为雾和缩写地平面元素设定了更大的空间,原本是空的丝绸. 他的手卷可能是源治"八景"画作最早的现存例子.

This artwork is in the public domain.

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Public domain

This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark.

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