艺术家: Ito Jakuchu
日期: 1770
尺寸: 114 x 48 cm
博物馆: Kimbell Art Museum (Fort Worth, United States)
术: 纸张
这幅迷人的画描绘了一位母亲 在她从树上吊起的一棵长颈树上 将她的孩子吊在手臂上 画名取自"活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活活 在此情况下,婴儿Gibbon及其母亲都试图抓住月球在水中的倒影——虽然这里没有实际描述,但人们了解月球的存在。 主题也暗示了人类状况的两难境地:我们为了不真实(在此为月球倒影),而不是寻找适当的精神物质. Jakuchu以幽默和亲切为题词, 尽管月球实际上没有被代表,它的圆形外形却被克宾斯人的脸相照出. 从1760年代开始,从1770年代起,相克克楚在京都以南的世克浩吉活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活 这幅画与那个时期相对应,当时雅库楚越来越多地选择描绘以墨相克风格被处决的禅臣,其中基本和几何形式将占据任何近似现实主义的显著地位.
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