日期: 1590
尺寸: 192 x 160 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 油画布上的油
这个非凡的祭坛是巴萨诺最后出名的作品,在将基督的洗礼表现为节点上表现得非常明确和几乎独一无二。 伟大的威尼斯画家在他于1592年去世时留下了未完成的画作,他的后人保留了它一个多世纪. 在一些人的眼中,这幅画的未完成的(非平凡的)风格似乎是迈向现代主义的关键一步,比起戈雅的"黑相画"来比较. 巴萨诺将基督的受洗理解为不是牧区地貌中的阳光事件,而是他的"激情"的悲惨开场.
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