艺术家: Jacopo Robusti
日期: 1578
尺寸: 595 x 924 cm
博物馆: Kunsthistorisches Museum (Vienna, Austria)
术: 油画布上的油
未知主题直接看取景者. 穿着几乎完全消失于背景黑暗的外衣,他用左手握住皮毛修剪来保持外衣的闭合. Tintoretto利用这个把戏将主体与取景者隔开,尽管有直接的眼睛接触. 他给这名男子皮肤一种与他深红色衬衫相适应的语气,并强调他头发和胡子的结构和质量各不相同。 Tintoretto用简单的构成手段和出人意料的发光,使他的老对象具有了强烈的存在、个性和“精神美感”,这种品质在Tintoretto后期的肖像画中越来越明显。 与长期持有的假设相反,这幅画现在被归咎于廷托雷托本人,不再归于他的儿子多梅尼科. 它在奥地利的受欢迎程度不单在于它在托马斯·伯恩哈德的喜剧中作为不断重复的动机所发挥的作用。
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