艺术家: Jacques Doucet (Fashion Designer)
日期: 1890
博物馆: The Kyoto Costume Institute (Kyoto, Japan)
术: 调色板
日装用Yoryu (silk “crêpe de Chine”), 带有典型的日式摩托花的轻量级材料已经按照当时的时尚而被制成一出相去相去相近的服饰. 这件迷人的外衣显示了豪华的巴黎服装屋杜塞特对日本影响的兴趣. 随着日本会潮流,自1867年巴黎博览会后,日本和服,或和服织被重新用作衣物或外衣,于1880年代成为一景. 日本丝织品的出口在大约1887年迅速增长,出口了宽织布. 这种服装中使用的纺织品很可能是专门为出口而制造的. 由这身裙子所制作的耶律活佛织物采用了两种不同的"尤zen"染色技术:为竹花所印刷的花纹,为麻雀所用"去地"作手绘. 竹子和麻雀的结合是日本文艺和手工业中常有的调子. 迈森·杜塞于1875年在巴黎开幕. 它与Maison Worth和Maison Pingat一起,是19世纪下半叶最出名的巴黎住宅之一. 沃斯在法国境外变得很受欢迎,而杜塞特则是巴黎夫人所特别喜爱的. 设计师雅克·多塞特(1853年-1929年)对美术有很深的了解,并迅速接取了日本主义的趋势. 他除了做作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作作 KCI的收藏中有一些由日本人(Japonisme)所启发的多塞特(Doucet)所创作的服装的例子.
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