艺术家: Jan Toorop
日期: 1893
尺寸: 78 x 98 cm
博物馆: Kröller-Müller Museum (Otterlo, Netherlands)
术: 木炭业
选择 三位新娘,中间的年轻女子,在字面上和形象上都是中心. 她必须从天真中选择以左边的圣母像的女人所象征的精神生活和右边的女子的地上感性生活,后者用面部表情和胸前的一串头骨来代表邪恶。 永远是女性 正如Torop所写的那样, 处女们在前面带来铃声、百合花和蝴蝶, 在背景中,一个合唱团演唱了在年轻新娘生命中仍然等待的危险和困难. 符号主义让·托罗普以符号主义的精神绘制了这幅画. 在他们的作品中,符号主义者并不注重可见的,有形的现实,而是使用描写,色彩和线条来主要代表人类的心灵,他的梦想,思想和欲望. 用Torop的话来说,他的绘画要么是为了 " 最高的圣洁和最高的禁欲 " ,要么是为了 " 深厚的肉体、虚假的物质欲望 " 。
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
