日期: 1752
尺寸: 116 x 91 cm
博物馆: Toledo Museum of Art (Toledo, United States)
术: 油画布上的油
在18世纪,盲从者(或虚张声势)的游戏成为了求爱、机会和爱人取笑(直接与“爱情是盲从”的概念有关)的象征性舞台。 Jean-Honoré Fragonard的场景在花园内适当出演;他用春花来装饰自己的作品,从而发展出青春爱情的短暂性。 在18世纪法国贵族对浪漫的牧业主题的口味中, 人物们穿得非常生锈, 当爱人用一根稻草在脸颊上抚摸他心爱的人时,一个类似丘比特的婴儿用一根棍子的末端来刷她的手. 这些取笑的姿态意在引导或分心于女性的欲望对象. 这个女人为了找到她的情人, 从她眼罩下偷一眼, 并抓住我们的目光, 让我们在笑话: 她不像她的情人所怀疑的那样盲目或无助。
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