艺术家: Jeremiah Theus
日期: 1757
尺寸: 76 x 62 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 油画布上的油
南卡罗来纳马尼高特家族父权制和母权制的肖像(28.126.2), 由18世纪著名画家, 瑞士出生的耶利米·特乌斯所著, 记录了两个世纪的贵族特权, 马尼高特是法国胡盖诺特商人之子,被认为是殖民地南卡罗来纳州最富有的人,他用由奴隶拉布所经营的水稻种植园所衍生出的个人财富来支持革命事业. 据报告,他曾经将近300名被奴役者算作他的财产。 这些作品也记录了家族在退位后财富不断下降的历史. 1867年,一位后人查尔斯·伊扎德·马尼高(Charles Izard Manigault)记录了这些画作被弄得一团糟(参见黑白相貌)的情况,很可能是在南北战争期间被转移到了家族的丝绸希望种植园进行保管后. 近期的奖学金提出这种故意使画布变相的行为是"丝绸希望"前被奴役居民的圣像和叛乱".
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