艺术家: Ji Gong
日期: 1698
尺寸: 136 x 58 cm
博物馆: National Gallery of Victoria (Melbourne, Australia)
术: 纸张
根据对Ge先生的山地退山的描述,在这部作品中,一种动态的正式结构是自然明显混乱的根源。 在地平地的左中地,可以明显地看到一种从复合质量和介入空地中构建一个构成的体系. 但道吉以地表纹理和光和雾的影响来装饰地貌,这是他在山上游走时与自然亲密接触的结果. 北京所度过的岁月似乎证实了道教拒绝"芳"模仿,东正教学校也坚持了过去的风格和习俗,这些风格和习俗已经变得限制并扼杀了创造力. 道教主张在老会制定前恢复到一州,也反对画作过于通晓:关心思想和理论,构思和刷子. 澳大利亚维多利亚国家美术馆Mae Anna Pang博士的文字
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