日期: 1910
尺寸: 99 x 125 cm
博物馆: Sorolla Museum (Madrid, Spain)
术: 油画布上的油
索罗拉自其岳父安东尼奥·加西亚·佩里斯(Antonio García Peris)在工作室担任助手以来,就一直喜欢摄影,他在这幅画中使用了一种在不看相片快照的习惯下无法想象的构象:这些相片被任意剪取而来,并不知道是被相片相片所拍摄,这给画作留下了完全自然的印象. 虽然这是索罗拉特别珍视的一种效果,但他的作品中很少有作品将它带到了这个地步. 结果是令人惊讶的现代形象,因为没有背景,没有地平线,使得数字似乎与相片平面本身相拥而来,使其变得格外突出;相片的模糊模糊模糊了数字并把它们变成一种任意的形式和颜色组成的单纯元素.
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