艺术家: Joaquin Sorolla Y Bastida
日期: 1919
博物馆: Sorolla Museum (Madrid, Spain)
术: 油画布上的油
1919年夏,随着西班牙人学会的壁画完成,索罗拉先去巴伦西亚,再去马略卡的波伦萨. 在卡拉·德·圣维森特(Cala de San Vicente),他回到了对光的迷恋,在背景中与塞拉·德尔·卡瓦尔·伯纳特(Sierra del Cavall Bernat)实验了这种地貌的不同版本. 在这部画中,从后方看到的中心人物是艺术家的女儿埃琳娜(Elena),她在岩石上脚跟上保持平衡,她的衣服被右手夹住,而帽子被左手夹住. 正如其他画作中一样,人类人物是探索艺术家对场景真正兴趣的借口:光线在这里再次以落日为背景将水变成镜像般的金色倒影. 虽然这幅画可能还没有完全完成,但可以看到某种形式上的简化,揭示出索罗拉基于大片色彩而倾向于更合成的艺术.
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