日期: 1790
尺寸: 370 x 623 cm
博物馆: Alte Nationalgalerie (Berlin, Germany)
术: 雕塑
普鲁士的弗里德里希·威廉二世的私生子亚历山大·冯·德·马克伯爵在成年前就已经去世了. 他的墓碑,建筑维度,被分层垂直地分出来,以在一相上方的一系列区域中创造出深度和分层水平,都以沉睡青年的生命体积为中心. 他摘下头盔 剑从手上滑走 为了符合Lessing和Herder的理想,他既轻松又平息。 窗帘一角将观众的目光引向了石棺前方的松动, 与此同时,知识和战争技巧的女神米涅尔瓦正想引诱他返回并送他走向军事未来,象征着盾牌和战斗奖杯. 无论是哪一端,在石棺的狭长一面,都是"睡眠"和"死亡"的人物,将短暂而永恒的睡眠,生与死联系在一起. 在上方,浅而半圆的特长是"三命运",决定人类命运的女神:青春的克洛多自旋了生命的一线,年长的阿特罗波斯将其切断——尽管克洛多试图阻止这一点——而拉切西斯在"命运之书"中读到. 因此,人类的生与死,都与任何个人都无法逃脱的更高的命运相联。
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