艺术家: Johann Wilhelm Baur
日期: 1641
博物馆: Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro (Águeda, Portugal)
术: 铜上油
其中一河将两组相向的数字相分的地貌. 其中一出由三位人物组成,一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出一出 背面的铭文(“rospo中的Jupiter e Juno vorfati”)源于对这幅画的错误解释。 相反地,它描绘了Latona (Leto,在希腊神话中为Leto),木星众多的爱好者之一,已经生下Phoebus和Diana(Apollo和Artemis,也代表于画作中),到达了Lycia一城市的一集. 由于她想平息附近一河口的口渴,被当地人所禁止,当地人不但没有拦住她,反而嘲笑她的处境并抓取出水来,使水被泥土弄脏而不能喝醉. 作为惩罚,为了能活在他们如此珍视的水和泥地上,拉托纳将她们变成了青蛙. 这个传说除其他来源外,还被奥维德(英语:Metamorphoses 6.313–381)所讲述.
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