日期: 1825
尺寸: 25 x 31 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 木头
伍兹德可能接受了费城标志画家马修·普拉特或普拉特的商业伙伴之一的训练. 1805年,伍兹德在费城开设了自己的工作室,宣传他作为装饰品或标志画家的服务. 然而,他渴望少些平庸的流派,并尝试了用手去书写象征主义和爱国主义的作品,动物场景,迷你画作,以及英文雕刻之后的拷贝. 这部作品及其伴作"活生生:桃花,苹果和梨花"(41.152.2)是伍兹德为数不多的已知活生生的作品,并代表了他作为画家所做的最大努力. 他在备用环境下对桃花和葡萄的安排承接了皮尔家族的风格印记,他于19世纪初在费城确立了一种静活的传统.
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