艺术家: John Ruskin
日期: 1852
尺寸: 22 x 23 cm
术: 铅笔
与杜卡尔宫上所雕刻的中世纪之都相比,罗斯金认为后期的文艺复兴雕刻是"基地". 他为第36个也是最后的首都做出了例外,“整个系列中最美的......非常高贵;其人物群体最仔细地研究,非常优雅,而且比早先作品的作品更令人高兴,尽管在作品中实权较少。” (《威尼斯之歌》,第二卷,1853年) 首都支持“所罗门判决”的雕塑(由这幅画左侧的花纹所形成,高于一个正义的数字),以及包括这里的“亚里士多德,有两个学生,传授法律”在内的其他科目。 罗斯金认为雕塑的目的是威尼斯政府断言“正义只能是其稳定的基础,因为这些正义和判决之石是其议会大厅的基础。 “
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