艺术家: José Simões De Almeida Júnior
日期: 1872
尺寸: 149 x 41 cm
博物馆: National Museum of Contemporary Art - Museu do Chiado (Lisboa, Portugal)
术: 弹珠
这篇作品首先暗示了其作者的自然主义从属关系,试图使学术价值适应主题情况的多样性,这出自于克服经典主义受限制的标志性的欲望. 在这种情况下,年轻女子玷污了一种可能希望或失去的爱情的忧郁的比喻。 然而,希腊式建议、部分裸体和道具处理的外观和发型,是刻意地标出一种无时无刻不在的经典主义,即其中一脚的支撑座的亲子存在不会自然化。 事实上,西蒙斯·德·阿尔梅达仍然忠于偏差的美学,以非常多愁善感的方式诠释出他自己的礼仪主义,学术的教子们没有在他们身上添加出新的塑性价值,甚至没有从对真人多样性的关注中推导出来.
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