艺术家: Juan Gris
日期: 1913
尺寸: 66 x 100 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 油画布上的油
尽管恶毒的阴影不是新奇的,但格里斯巧妙地脱落了光线,这代表着事物本身,就像酒杯、管子和瓶子在这种华丽有色的场景中一样。 与全体物体不同,这些异形是平坦而无足轻重的,在逃避我们的把握. 与此同时,忠实地附着在吉他上的影子并不服从自然规律,而是在形状和方向上有所改变,就像一个流氓双胞胎. 格里斯的嘲弄悖谬取材于浮雕小说系列"Fantômas"及其电影版本(1913–14)的阴森犯罪下层,该片将巴黎前卫带入其中;而"浮雕"角色经常像被偷来穿黑衣一样犯下他卑劣的行为。
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