艺术家: Kaihō Yūshō
术: 纸张
根据中国唐诗人杜福(712–770)所著"八醉隐士"一诗,此屏所描绘出四位隐士饮用,并推测其配对屏(现已失落)显示出其他四人. 凯哈 Yūshō’s (1533–1615) 使用最小笔划来描绘人们的特殊方法模仿了南宋画家梁启超(1130–1210)所著的"斯克奇风格"(Ch. Xie yi, J. gentitsutai),而日本被誉为"袋型人物笔划"(J. fukuro jinbutsu). 这幅惊人的作品是苏米-e或墨水画的典型例子. 被打的中风节奏地戳穿了画面中充满活力的运动;强度从形式上流出;醉汉的表达方式是个性化地划定的;而被打成框架的岩石和松树通过有效使用阴影来形成圆形柔和. 从左侧的铭文可以推断出,伊纳巴省(现代托托里省)卡诺城堡的领主克迈·克雷诺里(1557–1612)于1602年(基奇克7)正月初三日委托了这个屏幕. 由于Yūshō’s的画作中很少有可核查的出品日期,所以这个屏幕为确定他其他作品的出品日期提供了宝贵的标准.
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