艺术家: Karasumaru Mitsuhiro
日期: 1634
尺寸: 30 x 272 cm
术: 调色板
10 wakea (31个音节的诗) 描述精神意识的各个阶段,从最初的探索到最终的实现,都用经典的禅宗比喻"十牛-赫丁歌"来表达,这把人类的这种充满活力的追求比作一个牧童在追逐难以捉摸的牛时常常漫画的活泼. 相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相 诗作"三郎自取"取自于一出由十五世道士所出于京都一重要禅寺通福寺. 遵循了通俗的文学实践,三藏弘将诗作个性化了,略微地修改了用词,每次修改都取自古典出处. Mitsuhiro还潜移地改变了相伴图片的标准序列. 书法的风格受到光一郎的老师光美(1558–1637年)的影响,他和光一郎一起在17世纪早期恢复了海安时期(794–1185年)艺术的美学。 Mitsuhiro是政治脆弱但具有艺术影响力的Go-Mi zunō (1596–1680)皇帝圈子里的主要人物。
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