艺术家: Kathe Kollwitz
博物馆: National Museum of Women in the Arts (Washington, United States)
术: 打印
Käthe Kollwitz认为艺术应该影响社会变革。 她最初将“下行者”视为与她被称作“织女的反叛”的蚀刻周期相关的三重作品的一部分,但最终她将其发展成为了一部独立作品。 “下行者”迫使观众面对为生存而挣扎的工人阶级人民的脆弱性。 女人把死活或生病的孩子的头摇到她腿上;站在她左边的男人转过身去,用一只手遮住他的脸. 作为一名表现主义艺术家,克勒维茨巧妙地操纵了她的黑白介质,以尽量扩大蚀刻对观众的情感影响. 科尔维茨将"阴沉的背景"与定义了成人人物的微妙的"交叉"相对. 面对这些黑暗地区,儿童的头部和肩膀显得非常苍白。 在“下行者”中,Kolwitz也承认儿童疾病或死亡可能造成的情感。 妇女对面部的静静关注与男子的左手弯曲形成鲜明的对照 -- -- 这一姿态有力地表明了痛苦的表达方式模糊不清。
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