艺术家: Komai Ki
日期: 1785
尺寸: 110 x 56 cm
术: 丝绸
每个卷轴上都有一位中国美人, 虽然没有被艺术家认出来,但我们可以安全地假定他打算左侧的美眼小马来指代杨贵非(日语:Yōkihi),是中国唐朝皇帝X宗(685年–792年)的臭名昭著的同僚,他的美被说成"把花弄丢". 一位手持刷子的宫廷女士坐在一个书桌上, 然而她很可能是 Yan地(日语: En地(日语: En地 ( En地))),郑国文皇帝的下等妃嫔,曾有"兰花"的吉祥之梦. 源基被公认为最有才华的两位艺术家之一,与松村高生(1752年–1811年)一起从京都一所自然主义绘画学派的创始人丸山Ō(1733年–1795年)的圆相中出道.
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