Mosaic “爱哭者” – (Leopold Forstner) 上一页 下一页


艺术家:

博物馆: MAK – Museum of Applied Arts (Vienna, Austria)

术: 镶嵌

利奥波德·福斯特纳用于装饰建筑的陶瓷可以被认为是由卡尔·卡格和科洛·摩泽尔这名学生在维也纳艺术和工艺学院所开发的“新壁画材料”的典范。 根据拜占庭马赛克世界的模型以及他在因斯布鲁克的"格拉斯马雷"(Glass Maleri und Mosaikwerkstatt [Glass Painting and Mosaic Work])的训练,福斯特纳从1906年起与他所创办的"维也纳摩赛克"(Wiener Mosaikwerkstätte [Vienna Mosaic Worktim])一起,在具有历史意义的维也纳现代主义项目中成功运用了新的马赛克风格. " 混凝土建筑,这种理想的现代建筑类型,特别适合马赛克人的就业,"他在1910年写道,他接着强调马赛克人的地表效应,这符合现代设计师的意图. 他的镶嵌法融合了解脱等陶瓷,大理石板,金属等元素并放出陶瓷元素来达到所期望的效果. 福斯特纳还将这种由奥托·瓦格纳所启发的复合马赛克技术应用于斯托克勒特宫餐厅的设计.

This artwork is in the public domain.

艺术家

下載

點擊這裡下載

權限

免費的非商業用途。 見下文。

Public domain

This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.