作风: 北部复兴
日期: 1518
尺寸: 59 x 92 cm
博物馆: Museum der Bildenden Künste (Leipzig, Germany)
术: 石油
哥特式线性节奏的再起对于克兰纳克后来的全作具有根本意义,其中神圣与平庸艺术的分界线模糊. 他代表了女性圣人,作为美丽而优雅的女士穿着时尚的服装并被珠宝所覆盖. 他将文艺复兴模型乔治·金星(Giorgian's Venus)翻译成他个人的直线阿拉伯语, 这部作品为维纳斯,卢克丽霞,格蕾丝等一长串画作揭幕,对巴黎的判断,以及其他作为有魅力的女性裸体的借口的题材,其中克兰纳克以16世纪的弗朗索瓦·布彻(François Boucher)出道. 克兰纳克作坊所作的这幅画有几本. 原作取自莱比锡.
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