艺术家: Ludovico Carracci
日期: 1582
尺寸: 95 x 173 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 油画布上的油
直接观察尸体——常常是蓄意挑战,有时是不放荡的姿势和观点——是1580年代由Carracci家族领导的学院的一个标志。 将学术论述与强调从现场模式取材相结合,他们的学院是一代艺术家的十字架,他们将在罗马开创巴洛克画作。 卢多维科对基督的描绘缺乏理想化,震惊了十六世纪的批评者;圣母玛利亚的头被抛回了一种实验姿势中,导致最强壮的面孔被刻板化的哀悼者们打出. 艺术家们经常再用画布,但在这个不寻常的事例中,卢多维科将三块桌布上被缝合.
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