艺术家: Michelangelo Merisi Da Caravaggio
日期: 1605
博物馆: Nelson-Atkins Museum of Art (Kansas City, United States)
术: 油画布上的油
这幅杰作是博物馆最伟大的珍品之一,是卡拉瓦乔在美国藏品中仅有的几部原作之一. 虽然他从未收留过学生,但卡拉瓦乔对其他艺术家的巨大影响在意大利巴罗克的发展中起到了至关重要的作用. 在这位浸信会的圣约翰中,卡拉瓦乔以理想主义为交易目的,他经常在自己的时代成为有争议的现实主义. 他从字面上剥夺了浸信会几乎所有的传统属性(哈罗、羊肉和被刻上 " Ecce Agnus Dei " 或《上帝的羔羊之眼》),留下了作为画作主题的他情绪的浓郁强度。 圣约翰庄严的忏悔被卡拉瓦乔商标所强化:深而不透明的阴影的戏剧性对比,在身体上玩弄并遮住眼睛的插座,有一道明亮的光从上到下照亮了浸信会的右侧. 这种光明和黑暗的鲜明对比、圣人斗篷的辉煌花红和卡拉瓦乔将他置于靠近我们自己的空间的地平地,都促成了这幅画的戏剧性影响。 Caravagggio在画作时将线条插入地基以引导手, 在梵蒂冈的西斯丁礼拜堂天花板上,
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
