艺术家: Pierre Bonnard
尺寸: 135 x 127 cm
术: 浮油。
当时波恩正值本夏天早餐厅,洛克菲勒中心建设了一半,欧洲正在为战争做好准备。 然而,现代世界似乎在波恩的绘画中被忽略,该画har回了19世纪末叶的艺术信条,其充满活力的颜色破坏了保罗·高原圈子的血管和理论。 大约1890年,波恩属于Nabis(从希伯来语“亵渎”一词),这个团体往往涂上神秘或玩物的景象,以援引特殊的精神病学。 正如这幅绘画所示,波恩仍然为大约40年的日常生活提供一种幻觉的ura”。
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