与 Torquato Tasso 图相通 – (Pierre-César Honoré Pons) 上一页 下一页


艺术家:

日期: 1830

尺寸: 58 x 35 cm

博物馆: The Museum of Arts and Crafts (Zagreb, Croatia)

术:

移动有圆盘。 春来以锚出逃和自由后倒作为调节器. 与计数板一起工作。 击出全时半钟钟. 这个钟是用被打出和被打出刺青的组合来制作的,这种技术是18世纪末和19世纪初的巴黎青铜艺术家们取得的杰出成就. 平衡的、经过仔细考虑的构成、个别作品的形成,特别是数字和救济、技术制作和细节的完成,都表明一个高质量的讲习班。 有趣的是,装饰的元素取自哥特式回想,而构成和形式则在很大程度上取自了新古典主义的传统. 元素的实际处置 — — 基座、相图、平坦的外壳 — — 延续了法国新古典主义-Empire Calls of gilt and patied bronze的传统。 它属于花鸟钟的类型,在浪漫主义时代,花鸟钟以描绘历史人物和文学英雄为主题.

This artwork is in the public domain.

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Public domain

This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark.

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Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.