在Honselaarsdijk的''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' – (Pieter De Grebber) 上一页 下一页


艺术家:

日期: 1637

尺寸: 209 x 580 cm

博物馆: Rijksmuseum (Amsterdam, Netherlands)

术: 引文

The sitter, Antonio de Covarrubias y Leiva (1524-1602) was the son of a Toledan Design, the Master of work at Toledo Church, who also designed the façade of the Alcázar in the City. 安东尼奥研究萨拉曼卡大学的法律。 他成为一位知名法学家、古典、哲学家、诗人、人文主义者和希腊人。 他在1581年被 or,成为托莱多大教堂的 can子。 当时,El Greco会见了Cvarrubias。 两名男子相互感到轻松,可能同时以希腊语发言。 作为对他的朋友的赞扬,El Greco将Cvarrubias列入奥加兹州的Burial,他在那里看到他对这项权利的描述。 在这种敏感但敏感的代表性中,格雷科显示了他作为女政治家的技巧。 船东的黑体积与他的白胎和他的脸谱的光彩形成对照。 他似乎在思想中丧生,他的水眼看着真空。 孔隙大概在1600左右被涂上,当时科瓦鲁比亚人已完全聋.。 其后 El Greco制作了一个猪肉的复印件,他用安东尼奥的兄弟Diego de Covarrubias的幽默 por,他是一位杰出的艺术家兼菲利普二世顾问。 这些绘画现在位于托莱多的El Greco博物馆。

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