艺术家: Pieter De Hooch
日期: 1600
尺寸: 64 x 74 cm
博物馆: National Museum of Ancient Art (Lisbon, Portugal)
术: 油画布上的油
博物馆所收藏的荷兰画作是一个重要的参考作品,也是这个当代凡尔迈尔最有代表性的作品之一,其构成的意义远不止于从17世纪中后期阿姆斯特丹的日常生活中仅代表出一出有骑士气概的场景. 席上所聚集的各种人物可能都参考了"五感"的概念. 对于一些批评者来说,对Ganymede被劫持的神话插曲(以Karel van Mander III对作品的刻画为基础)在壁炉上方的显著位置上展现的事实有其表现,这可能为作品提供了一定的色情内涵,或者相反地,它可能起到神学暗示的目的: 甘尼梅德可能将人类的灵魂 化为无污秽的身体 并被神圣的意志升入天堂
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