日期: 1613
尺寸: 161 x 170 cm
博物馆: Kunsthalle Bremen (Bremen, Germany)
术: 油画布上的油
在AD 312中,君士坦丁在罗马城门前的决定性的米尔维安桥战役中战胜了他的同族和对手马克森蒂乌斯. 这一事件实现了君士坦丁的夜景,预示他将在十字会的标志下获胜。 Pieter Lastman在一场大循环运动中描绘了这场斗争的关键一幕: 君士坦丁下令以十字架和一只鹰来装饰标准,他从画面左侧陷入了战斗中,头戴着一顶花冠和荣耀. 马克森提斯 在画的下部右侧骑马 后坐力恐慌 在他上面,桥已经让了路,导致他的士兵倒入了台伯河. Lastman把颜色的口音放在画面上 用士兵背着我们 白马上的骑手和被击倒的尸体 Lastman在荷兰艺术中引入了历史绘画作为一个独立的流派. 他是伦勃朗的老师,也是所谓的"伦勃朗派前作"的领袖,他们的历史画的特点是史诗式的叙事,并且精确地坚持了内容详尽的故事.
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