艺术家: Qianlong Emperor
日期: 1767
尺寸: 25 x 206 cm
术: 纸张
乾隆帝既修行了书法,又修行了绘画,以此来认同自耕自艺的中国文学理想. 然而,这两卷卷卷轴的主题揭示出他同时渴望与满洲狩猎传统相适应. 此外,纹理和三维形态的现实渲染反映了由耶稣会画家如朱塞佩·卡斯蒂格里奥(1688–1766)向法庭介绍的西方相貌手法的影响. 两卷卷卷中较早的一卷描绘了一斑鹿的鹿角. 皇帝在随附的铭文中回顾,他祖父康熙帝(第1661至1722号)在中亚采购了一对巨大的八分角鹿角——当时认为是吉祥的标志. 第二卷被画了五年后,呈现出一种被西方人称为"活大卫"(Père David)的物种的角,因此以最早被记录在西方来源的耶稣会传教士和自然学家(1826–1900)取名. 在随行的散文中,Q龙描述了不同的鹿种,并试图纠正"里特斯之书"中所作的误导性区分,这是经典的儒家文字.
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