艺术家: Raphael Bordallo Pinheiro
日期: 1905
尺寸: 88 x 50 cm
博物馆: National Azulejo Museum (Lisbon, Portugal)
术: 纳梅尔
19世纪后四分之一,卡尔达斯·达·兰哈与里斯本,波尔图,盖亚和阿威罗一起成为了陶瓷生产的重要中心. 1883年,漫画家和插画家拉斐尔·博达洛·皮涅罗(英语:Rafael Bordalo Pinheiro (b. 1846 - d. 1905))决定从事结扎术生涯,并同意经营1885年6月开始生产的花瓶厂. 博达洛·皮涅罗从他生平的作品中接踵而来,将陶瓷物品作为武器来挑战君主制政权,引发了一系列批评当时政治和社会的人物. 他开发了大约200个三维模型,他的作品受到法国艺术家伯纳德·帕利西(英语:Bernard Palissy (b. c.1510 - d. d. c. 1589)国际陶瓷复兴的影响,已经存在于当地传统中,他将沿着环琴和复兴主义的路线来重塑. 因此,19世纪后半叶的各种国际美学潮流被以明显的葡萄牙精神重塑而来,也受到16世纪阿拉伯和曼努埃尔艺术的启发. 新艺术的影响直接来自法国,但后来在Bordalo Pinheiro的作品中使用,既可以在三维物品的创作中,也可以在azulejos中看到。
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