艺术家: Reizei Tamechika
日期: 801
尺寸: 157.0cm x 95.3cm
术: 纸张
这种有浅色触摸的墨水组成描绘了10世纪皇帝恩伊及其随从从京都到富冈山山——北上取向的古老参考点——到来的新年. 这部作品用柔软的刷子取出并洗刷了地貌元素和更细细的花纹来取出人物的花纹,在十二到十四世纪后期的海安和镰仓时期,刻意地用山地取出叙事画作的风格来进行叙事. 被黑或白抢走的侍从和运动中通常高高的被粉刷的侍从帽被打得一团糟;两节车厢(贵族使用的打牛车型)站在前面。 艺术家塔米契卡与他的画作一样迷人. 他是江户时期最后几十年的重要画家,对古典山地画和叙事插图风格的复兴有影响. 他制作出多幅中世纪画作,以再向大众介绍其作风,并歌颂了古来相传的宫廷生活方式. 由于幕后统治的最后几年的政治气氛动荡不安,就在帝国主权重建之前,塔米契卡与侍奉幕后统治的帝国侍从和军事领主的社会联系导致了他在纳拉附近被一行战士所暗杀.
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