. – (René Jules Lalique) 上一页 下一页


艺术家:

日期: 1900

博物馆: Calouste Gulbenkian Museum (Lisboa, Portugal)

术: 纳梅尔

由于其与梦想世界的象征性联系,罂粟可被视作"新艺术"的标志花之一. 这顶花柱上展示出一副外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外观外 相相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相相去相去相去相去相去相去相相相去相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相 莱利克揭示出他作为雕塑家的技巧,推测受到奥古斯特·莱德鲁(他岳父)和他姐夫的影响. 女性人物是Lalique作品中反复出现的主题, 他从1897年左右开始在作品中使用了巨大的悬浮的巴洛克珍珠,揭示出另一种影响和灵感来源: 文艺复兴珠宝. 他使用玻璃来设计珠宝,也在这个圆柱上达到了最好的表现. Lalique设法通过这种使用玻璃、他特别喜欢的这种材料以及使各种光能发挥的透明性创造了珠宝/艺术品。

This artwork is in the public domain.

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