日期: 1625
尺寸: 92 x 9 cm
博物馆: Auckland Art Gallery Toi o Tāmaki (Auckland, New Zealand)
术: 油画布上的油
圣塞巴斯蒂安在1617至1621年间画作, 塞巴斯蒂安的姿势直接取自16世纪早期在罗马Campo de Fiori所发现的贝尔维德雷托尔索(Belvedere Torso),现收藏于梵蒂冈. 然而雷尼却取了这个肌肉相通的大理石相貌并把它变成一个明显柔软的皮肤相通的人,他通过对上帝的强烈信任来克服自己受了伤的痛苦. 画作结合了对人所受苦和热情信仰的描写,让旁观者也感受到了这一点. 这是雷尼作品中最受嘉罗·塞萨·马尔瓦西亚赞誉的一出,他吹嘘说艺术家可以用百种不同的方式举起眼睛来画出头像来暗示一种狂喜或神圣的灵感状态。 不仅与阿波罗的大理石雕塑相呼应,而且与米开朗基罗的"旧约"人物大卫相呼应,但雷尼已经通过他微妙的建模和优雅的银色皮肤花纹将生命注入了身体. 这幅画的更多细节
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