艺术家: Shimomura Seizaburō
日期: 1922
尺寸: 136 x 66 cm
术: 纸张
这幅冈仓登信在去世后九年所画的肖像,直截了当地表达了艺术家对他的去世老师的尊敬和热爱. 日本艺术研究所展会(日语:日本藝術所展会)上所展出并纪念其25周年的"冈上村正信"一画于次年被"关东大地震"所毁. 这张素描是康赞本人作为纪念品向美国亚洲艺术史学者兰登·华纳(英语:Landon Warner)提出的,在艺术家去世后于1932年被捐赠给东京美术学校. Tenshin的指挥外表, 当他凝视着深思熟虑的空间时, 我们甚至感觉到空中有某种运动 据说,当他制作这部作品时,康赞只有一张"天信"的缩略图尺寸相片,并不得不依靠他的记忆来捕捉他死去的老师的显著特征. 这件衣服是中国道教所穿的,天信喜欢穿;而用天信亲手书写的"海克记"一幅有草稿的纸被贴入桌上的卷轴上. 康赞,台克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克活克 他们为东京美术学校打下基础,并通过由登信所创办的"日本艺术所"(Nihon Bijutsuin (日语:日本相克所)),成为日本风格绘画革命的动力. 在这三个人中,坎赞尤其忠实于他老师的相貌思想和理想,以至于人们说道:"天信的大脑正在移动坎赞的手臂. (Writer: Rie Yokoyama 资料来源:东京国立美术与音乐大学大学艺术博物馆:大开展,东京国立美术与音乐大学艺术博物馆,1999年)
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